Thornton Oakley papers

A Finding Aid to the Thornton Oakley Papers

Helen Farr Sloan Library, Delaware Art Museum

Wilmington, Delaware
2003


Extent: 4 Linear Feet
Access: Unrestricted
Revised: Sarena Deglin, 2003
Contact Information:

Helen Farr Sloan Library
Delaware Art Museum
2301 Kentmere Parkway
Wilmington, DE 19806

 

TABLE OF CONTENTS

Biography of Thornton Oakley
Scope and Contents Note
Organization of the papers
Description of the papers

BIOGRAPHY OF THORNTON OAKLEY

Thornton Oakley was born March 27,1881, in Pittsburgh. He studied at the University of Pennsylvania and received B.S. and M.S. degrees in architecture in 1901 and 1902. He first studied with Howard Pyle in 1902 at Chadds Ford in the mill, and described his first day there in a talk given at the Free Library in Philadelphia in 1951:

“There we four – my new cronies – Allen Tupper True, George Harding, Gordon McCouch and I – made our first sketches from a model, and our efforts were frightful to behold! Not one of us had had a palette in our hands ever before: I had not the least idea as to procedure. My attempts were terrifying to behold, and when H.P. came to me to criticize my work he paused for a long, long time before speaking, and I know that he must have been appalled.”

Oakley studied with Pyle for three years.

Oakley became an illustrator and writer for periodicals, including Scribner’sCenturyCollier’s, and Harper’s Monthly. In the years 1914-19 and 1921-36 he was in charge of the Department of Illustration at the Philadelphia Museum School of Industrial Art. In 1914-15 he also taught drawing at the University of Pennsylvania, and gave lectures at the Art Institute of Chicago, the Metropolitan Museum of Art, and the Curtis Institute. He was a member of the jury of selection and advisory committee of the Department of Fine Arts at the Panama-Pacific International Exposition in San Francisco in 1915 and the Philadelphia Sesquicentennial Exposition in 1926.

During World War I lithographs of his patriotic drawings of war work at the Hog Island Shipyard, Pennsylvania, were distributed by the United States government. During World War II he did three sets of pictures of the war effort for the National Geographic in 1941, 1943, and 1945. After the war he was commissioned to paint industrial subjects for the Pennsylvania Railroad, the Philadelphia Electric Company, Sun Oil, and other industries. In 1938-39 he did six mural panels for the Franklin Institute in Philadelphia on epochs in science.

Oakley was deeply influenced by Howard Pyle’s philosophy of illustration. In the talk at the Free Library referred to above, he said: “We never heard one word from our beloved teacher concerning tools and methods. His utterances were only of the spirit, thought, philosophy, ideals, vision, purpose.” Oakley presided at the private viewing of the Howard Pyle Memorial Exhibition at the Philadelphia Art Alliance in 1923, when reminiscences of Pyle were given by Elizabeth Green Elliott, Jessie Willcox Smith, George Harding, and Frank E. Schoonover. In praising Pyle, Oakley said: “Illustration is the highest type of pictorial art … because illustration is simply a pictorial MAKING CLEAR, and if a picture makes clear a message in a big way, it is an illustration, whether it be made for magazine, book, mural decoration, or exhibition.” In an essay on “Illustration” for the American Magazine of Art in August 1919, he spoke of illustration as inspiration and the expression of man’s highest ideals.

Oakley made a large collection of Pyle, drawings, prints, books and other items, including letters and sketchbooks, which he presented to the Free Library in Philadelphia in November 1951. He died in Bryn Mawr on April 4, 1953.

By Phyllis J. Nixon

Sources:
Taken from Elzea, Rowland and Elizabeth H. Hawkes, eds. A Small School of Art: The Students of Howard Pyle. Wilmington: Delaware Art Museum, 1980.

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SCOPE AND CONTENTS NOTE

The Thornton Oakley papers consists of original correspondence, photographs, exhibition catalogs and magazine illustrations donated by various sources and assembled by the Library.

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ORGANIZATION OF THE PAPERS

Series I. Biographical and Personal
Series II. Correspondence
Series III. Printed Matter
Series IV. Photographs
Series V. Magazine Illustrations

 

DESCRIPTION OF THE COLLECTION

Series I. Biographical and Personal

Folder 1 – National Cyclopedia of American Biography

Folder 2 – Obituary

Folder 3 – “An Incomplete Record of the Work of Thornton Oakley…up to June 1920″ in Oakley’s hand, 24 pp.

Series II. Correspondence

Folder 4 – Regarding First Unitarian Church, Philadelphia, 1921-1922

Folder 5 – With Constance Moore “Connie” 1945-1953

Folder 6 – Photocopies of correspondence with Richard W. Lykes regarding Pyle students, 1940s-1950

Folder 7 – Correspondence with English painters, 1945-1949 [donated by Benjamin Eisenstat, 6/5/1984]

Folder 8 – Photographs [donated by Benjamin Eisenstat, 6/5/1984] – Thornton Oakley in his studio, Christmas 1943

Folder 9 – Christmas cards

Folder 10 – Artwork (sketch)

Series III. Printed Matter

Folder 11 – “H.P., His Art and Personality” address given November 8, 1951 at Free Library of Philadelphia (3 copies)

Folder 12 - Westward Ho! by Charles Kingsley, illustrated by Thornton Oakley. Philadelphia: George W. Jacobs & Co., 1920.

Folder 13 - Westward Ho! illustrations

Folder 14 – Postcards

Folder 15 – Newspaper articles

Folder 16 – Exhibition catalogs: Thornton Oakley (1881-1953): The Exhibition,January 22 through March 20, 1983. Brandywine River Museum of the Brandywine Conservancy, Chadds Ford, Pennsylvania; The Art of Soviet Russia, Pennsylvania Museum of Art and the American Russian Institute, 1934-1935. Signed by Alexander Antonovich Troyanovsky, A. Deineka, Christian Brinton and Alexander Portnoff; Exhibition of Paintings and Drawings by Thornton Oakley, Woodmere Gallery, Chestnut Hill, Pennsylvania, January 6th through January 27th, 1952

Folder 17 – Music, lyrics and poetry – ” I Long for Peace among the Hills,” Verse and Illumination by Thornton Oakley; “My Wondrous Land,” words by Thornton Oakley, music by Guy Marriner 7 copies [2 copies gift of Gordon Pfeiffer, March 1972, one of which is signed by Oakley and Marinner]; “PMSIA,” words by Thornton Oakley, music by Robert Elmore 3 copies, all signed by Oakley and Elmore [1 copy gift of Gordon Pfeiffer, March 1972]

Series IV. Photographs

Folder 18 – 2 photographs of Oakley in his studio

Series V. Magazine Illustrations

American Magazine of Art – 1919, 1925
Appleton’s Magazine – 1907
Artwork
Asia – 1918
Century – 1905-1912, 1916-1919
Colliers – 1904-1918
Everybody’s – 1906-1909
Forum – 1926-1927
Harpers Magazine – 1906
Harpers Monthly – 1905, 1906, 1907, 1908-1915, 1916, 1918
International Studio – 1913, 1915
Ladies Home Journal – 1908
Leslie’s – 1904
Metropolitan – 1907-1910
National Geographic – 1942-1945, 1942, 1943
Nations Business – 1919
Pennsylvania Magazine – 1947
Scientific American – 1918
St. Nicholas – 1908-1909
Scribner’s – 1905-1916
System – 1909
Western Penna. Historical Magazine – 1948

 

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